Yesterday I highlighted students recently introduced to the world of photography. In a few years they might continue shooting as a hobby, begin an apprenticeship with a studio or further their education through college.
Nicholas' path to photography is an interesting one.
"I came to photography through skateboarding. I think this is a pretty common story, but there comes a point in a skater's career when they think, Yeah, I can't do half the shit my homies can do. What can I be good at? Then they pick up a camera and find a niche as the crew's filmer or photographer. I filled the void as photographer and began trying to emulate the stuff I saw in Transworld and Thrasher. But shooting skateboarding is hard for me, because I started not skating everyday and I eventually began shooting more portraits, and fashion stuff."
I then asked him which is more important: subject, environment or action. His response didn't surprise me as his works often include the composition and story-telling seldom seen by those with less than decades of experience.
"I think you need all three, no? I almost always really want to incorporate two of those concepts into my composition."
Image capturing technology has changed a lot in the last ten years. So much so that today's DSLRs shoot video, making it easier for photographers to venture into motion. He explains this is the direction he's headed.
"I still use a DSLR so it feels very similar to staging a photograph, but now I am directing scenes based in time instead of moments. So lately I have been getting a lot of enjoyment from trying to depict the subtly psychotic, the quietly deranged and people who are occupying a different reality, a place that never makes sense and is often condemned in our day to day culture."
His work and style already provide inspiration for peers of all ages, but who does he look up to?
"I think I get the most out of artists who are not primarily photographers. When I idolize a photographer, it really shows in my work, like my style morphs to theirs. So I try to focus on artists who draw, paint, or make films so I don't have to worry about adopting a photographic style that is not my own. I really love Egon Schiele, Stanley Kubrick, Salvator Dali, Roman Polanski, Harmony Korine, and Wernor Herzog, all for their own reasons. Film directors that use subtle diversions from reality to create new worlds are my favorite meal. As I am still in school I am so thankful to have people like Ed West and Holly Hughes who are each both huge stores of information and offer great, honest opinions. Stamps is pretty stocked with solid professors, I like them all, even the ones I disagree with I really enjoy the challenge they provide."
(That last sentence is incredibly important!!!)
Professor Ed West has not only helped Nicholas perfect studio lighting, but also pushes him to travel and explore photo stories as he did following drag performer Dulce De Leche with the Kelly McKinnell Memorial Award.
So, what's next?
"After college... right... academia feels so safe and warm. I go back and forth about graduate school. If I could get into a fully funded program it would be cool to bop around for a bit longer and ride the wave of free studio space and time to create whatever I want. Although I feel like I should really get out into the real world, maybe live the grunge life and soak up some salt. All my favorite directors and artists seem to have come from underground sorts of places and I feel I have led a very privileged middle class existence. I might really need to just be in a place where I am the only variable in whether or not I have food to eat and a place to sleep. Although the danger would never be real, someone is always around to save me. So yeah, obviously undecided, leaning towards academia, but only if I can make some work that is considered good enough to go for free."
As long as Nicholas is experiencing life and making new work, it doesn't matter what he decides.